at the DeWitt Wallace Decorative Arts Museum
Artists on the Move: Portraits for a New Nation
In today’s world it is hard to imagine a time when posing for the camera was not an option. Americans over 200 years ago were no less interested in having their picture made, but it required more work. Yet as America explored its freedom and adjusted to its status as a new nation, people wanted to express themselves and artists were there to help them out.
Some artists settled in cities, but many traveled to meet their customers’ needs. As Americans moved west and south, artists followed. Like their clients, the artists were themselves Americans looking for their own opportunities. Some traveled to train with well-known painters while others figured it out as they went along. For the most part, their clients sought to record themselves and their families for posterity. Today these portraits give us our only chance to see fellow Americans from the past in full color.
If you could pick only one image to be remembered by, what would it be? On view are more than 30 portraits, some never before exhibited. Each portrait has a story to tell, whether it is the marriage of childhood sweethearts or an artist creating his own selfie. Discover a painting that was made for a President and one that was rescued from the trash.
This exhibition is made possible through the generosity of Juli and David Grainger and the Grainger Foundation.
In the Roberts Gallery
Upholstery CSI: Reading the Evidence
When most people look at furniture, they admire the craftsmanship of the cabinetmaker. But the look and function of seating furniture often hinged on the talent of another trade – that of the upholsterer. In Upholstery CSI: Reading the Evidence visitors will discover the secrets of the 18th-century upholstery trade. Beginning with a bare chair frame, the upholsterer layered webbing, linen, stuffing, and show fabric to create a fashionable piece. Unfortunately the 200-year-old fabrics rarely survive the passage of time and changing fashions.
Being able to read the evidence left behind to reconstruct the 18th-century appearance is the task of the modern-day curators and conservators. This exhibit explores the work of Colonial Williamsburg upholstery conservator Leroy Graves and the non-intrusive upholstery method he developed that is now used by museums worldwide. The goal of the Graves Approach is to restore a piece to its earliest appearance without marking or disturbing the frames or surviving upholstery.
The exhibit is made possible through the generosity of Don and Elaine Bogus and will be on view in the Wilkinson Gallery.
Printed Fashions: Textiles for Clothing and Home
Colonial Williamsburg has not previously showcased its superlative collection of printed textiles that range in date from the late 17th century into the 19th century. With their stunning designs and bright colors, the objects in this exhibit will be a feast for the eyes. Printed fabrics were used to make fashionable clothing and to upholster home furnishings. While visually arresting, printed textiles also had economic importance as trade goods and as examples of technological advances. A variety of techniques were used to create innumerable patterns. Fabrics were resist printed, block printed, copperplate printed and roller printed. Each of these required different manufacturing skills and resulted in a wide range of designs and patterns available to the 18th-century consumer. On view will be over 75 objects including gowns, quilts, men's waistcoats, curtains and bed furnishings. The printed designs range from floral bouquets to patriotic heroes like George Washington and Benjamin Franklin.
This exhibition is made possible through the generosity of Mary Turner Gilliland and Clinton Gilliland through the Turner-Gilliland Family Foundation, Barbara and George Cromwell, and the DeWitt Wallace Exhibitions Reserve.
Open through 2018 in the Gilliland Gallery
Chinese Export Porcelain
Chinese export porcelain played an important role in the lives of 18th colonists. From shop keepers to gentlemen, widows to blacksmiths, 18th century people wanted to own Chinese porcelain dishes. Possessing even a small amount of it indicated wealth and status to friends and neighbors. Every teacup, every plate, embodied style and fashion as well as being evidence of the complex trade between China and the West. Each piece of delicate porcelain traveled thousands of miles before finding its way into the hands of the person who used it. This exhibit illustrates the wide variety of Chinese porcelain that was available in colonial America. Particular emphasis is placed on pieces with histories in Virginia and objects recovered from archaeological excavations.
Through September 30, 2018, in the June Weldon focus room.
Ceramics Up Close - What sort of dishes did our colonial ancestors buy? Where did the ceramics come from and how were they used? Join the conversation on a guided tour, then drop in for a behind-the-scenes view of the museum's ceramics storage vault.
Architectural Clues to 18th-Century Williamsburg
Explore architectural elements from both surviving and demolished 18th- and early-19th-century buildings in the Historic Area. The pieces are part of the Colonial Williamsburg Foundation's architectural collection and provide an interesting and valuable research tool in studying the history of the built environment before, during, and after the Restoration of the Historic Area. Most recently, the collection helped with the reconstruction of Charlton's Coffeehouse and the Public Armoury, as well as informing paint color changes throughout the Historic Area.
This exhibition is made possible through the generosity of Don and Elaine Bogus.
This Just in!
Recent Additions to the Permanent Collection
The Foundation’s furniture collection includes both American and British pieces made between 1680 and 1830 as well as American folk art up to the present day. The American furniture collection encompasses almost the entire East Coast from Maine to Georgia and reaches as far west as Tennessee and Louisiana. The collection continues to grow as relevant objects come to light. This exhibition takes a look at some of the most recent additions to the furniture collection including pieces from various counties in Virginia, and objects from Georgia, Kentucky, and New York. These objects are being shown at the museum for the first time.
Through August 19, 2018 in the Elizabeth Ridgely and Miodrag Blagojevich Gallery
Silver from Mine to Masterpiece
This exhibit celebrates this noble metal in early Britain and America. Through nearly 250 objects, drawn primarily from Colonial Williamsburg’s collections, silver is considered from its raw state as a mineral ore, as the basis for coinage, and as a precious material for jewelry, trophies, and religious vessels. The creations of famous silversmiths such as Paul de Lamerie, Paul Revere, and Hester Bateman are presented alongside the work of lesser-known but equally talented craftsmen. Silver objects can celebrate and commemorate, as well as impress and even inspire envy; and because of its inherent value, silver is also faked, altered, and even buried. More than just a presentation of pretty teawares and tankards, Silver from Mine to Masterpiece explores the multi-faceted role of this precious material from the seventeenth to the early nineteenth centuries.
Through September 30, 2018, in the Mary Jewett Gaiser Silver Gallery.
Fantastic Beasts: Let’s Go Find Them - Learn about magical beasts in art on this guided tour, then illustrate a book to take home with your fantastic discoveries.
A Rich and Varied Culture:
The Material World of the Early South
This wide-ranging exhibition explores and celebrates the remarkable art and antiques that were created in or imported to the Chesapeake, the Carolina Lowcountry, and the Backcountry between 1670 and 1840. Produced in conjunction with two dozen partner institutions and private collectors, A Rich and Varied Culture highlights the aesthetic diversity brought to these three regions of the early South by the disparate cultural and ethnic traditions that ultimately defined a unique, early southern style. On view are some 350 examples of furniture, paintings, ceramics and glass, silver, jewelry, iron, firearms, costume, architectural elements, archaeological artifacts, and much more. Together these compelling artifacts beautifully represent early populations in Maryland, Virginia, West Virginia, the Carolinas, Georgia, Kentucky, Tennessee, and Louisiana. Many of the objects have never before been exhibited to the public.
The exhibition was made possible by Carolyn and Michael McNamara.
Ongoing exhibition in the Nancy N. and Colin G. Campbell Gallery.
Richard Newsham’s Fire Engine
Resembling a tricked-out coffin on four wheels, Colonial Williamsburg’s original 18th-century fire engine is one flaming-hot antique! In fact, it is so important to early American history that it is part of a rare “stand alone” exhibit, and was reproduced not once – but twice --for actual use in the Historic Area. Richard Newsham’s Fire Engine uses the display of this magnificent machine to explore fire and early fire-fighting techniques.
Like modern ones, early engines were used to direct a stream of water at an out of control fire, which was a very big problem in an age when buildings, and their contents were highly flammable. Williamsburg, described as “our Wooden city” in 1721, remained relatively safe until 1747, when the Capitol Building burned. To prevent further tragedy, the colony wisely decided to invest in a proper “Fire Engine and Four Dozen of Leatheren Buckets for the use of the Capitol” in 1754. This patented engine, built in London by Richard Newsham’s firm around 1750, is known to have been the clear choice for anyone in England or America who was serious about combating fire.
This exhibition was made possible by a grant from the Ambrose and Ida Frederickson Foundation.
Running of the Engine - In the 18th century, the responsibility of fighting fires rested with the public, so people practiced with and tested fire engines. Join the Military Programs staff and test your skill in helping to run the bucket brigade. Daily – weather permitting
Rebuilding Charlton’s Coffeehouse
Colonial Williamsburg’s reconstruction of Charlton’s Coffeehouse is the first ground-up reconstruction along Duke of Gloucester Street in several decades. It involved the work of every department and trade in the Foundation. The exhibition explores how such a building could be so accurately constructed and furnished when seemingly very little was left of the original structure. It will use archaeological, architectural, archival, decorative arts and trades components to show visitors the process of rebuilding the history, structure, and interiors of the coffeehouse. Through video, graphics, original objects, and touchable reproductions, visitors learn firsthand what it took to bring the project to completion.
American Furniture: From Virginia to Vermont
The appearance and construction of any piece of furniture is influenced by the taste, creativity, and training of the people who make and purchase it and the materials that are available to them. This was just as true in the Colonial and early National periods as it is today. The range of furniture styles, designs, and forms found from Virginia to Vermont in the 17th through early 19th centuries was as diverse as the people who populated those regions. Variations in the cultural and religious backgrounds of the inhabitants as well as trade settlement patterns and local economies influenced the people and their furniture. The regional variations in American furniture created by the diversity of the people, their environments, and their experiences helps scholars today identify where pieces were made.
This exhibition in the Elizabeth Ridgely and Miodrag Blagojevich Gallery highlights pieces from three regions: Eastern Virginia, Eastern Pennsylvania, and New England.
Through August 19, 2018.
Focus on Furniture - You may be surprised that many of today's home furnishings are deeply tied to those of the past. Take an in-depth guided tour of 18th- and early 19th-century furniture. You'll see rare baroque, rococo, and neo-classical tables, chairs, chests, and desks that set the fashions we continue to enjoy today. Offered Tuesday and Thursday afternoons,
Confidential Compartments - On a guided tour, learn about secret spaces sometimes constructed into special furniture. What was hidden inside drawers and partitions of desks, chests and cabinets--and how were the secrets revealed?
Lock, Stock, and Barrel
An immensely popular and longstanding exhibit, Lock, Stock and Barrel begins with an explanation of the various firearm ignition systems as used throughout the colonial period. The exhibit takes us from the early 17th to the end of the 18th century via a timeline of military longarms, including matchlocks, wheellocks, “English” locks, “dog” locks, and their descendants, the true flintlocks.
One of the highlights to be seen at Colonial Williamsburg is a world-renowned progression of Britain’s famed “Brown Bess’ muskets, which forms the backbone of Lock, Stock and Barrel. Supporting this unique collection are those related arms carried by officers, cavalrymen, sailors, Native Americans, and the semi-military firearms carried by American militiamen. Also represented are the Dutch, French and American-made arms used extensively during the Revolutionary War. Capping off the exhibit is a selection of very fine flintlock guns once owned by Lord Dunmore, Virginia’s last Royal Governor, followed by a hint of what the fledgling United States armed itself with after the war was won.
To Fire a Flintlock Musket - Come fire 18th-century firearms at the Colonial Williamsburg Musket Range. Participants will learn some history of and become familiar with two 18th-century weapons commonly used during the Revolutionary War. Participants will fire live rounds at a target. Must be 14 or older and present a valid photo ID at time of purchase to receive the provided waiver. Youth aged 14-17 must be accompanied by a parent or guardian who is not shooting, and the parent or guardian must sign the provided waiver. All signed waivers must be turned in upon arrival at the musket range. Session includes: range instructions, ammunition for weapons, targets, safety equipment, and transportation to and from the range. Tickets are available only onsite, at any onsite ticket location. WEATHER PERMITTING. Starting location is the Williamsburg Lodge lobby. Participants must arrive at the Williamsburg Lodge lobby 15 minutes prior to session start time in order to take transportation to the range. Shuttle transportation is required; participants may not drive themselves to the range. No spectators are allowed at the range; only ticketed participants.
Revolution in Taste
For most Americans, choice is a part of everyday life we take for granted. We select clothing, household furnishings, and cars to fit our budgets, fill specific needs, and project an image of who we are. As the eighteenth century progressed, British citizens both at home and in the colonies increasingly had access to a world-wide trade in exotic, fashionable, and useful goods. Revolution in Taste explores the objects and evolving social customs that became part of daily life for the expanding middle and upper classes. Made of ceramic, glass, and metal, items like coffee cups, teaspoons, and dinner plates offered stylish and exciting new forms, improved materials, and dazzling colors. Elegant dining, tea drinking, and the consumption of alcoholic beverages became the focus of social life in early America, leading a revolution in taste that is still underway even today.
Ongoing exhibition in the Henry H. Weldon Gallery
Ceramics Up-Close – offered Friday and Sunday afternoons. What sort of dishes did our colonial ancestors buy? Where did the ceramics come from and how were they used? Join the conversation on a guided tour, then drop in for a behind-the-scenes view of the museum's ceramics storage vault.